Visual Communication

Visual Communication

Glossary

GLOSSARY

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German – English Terms

From A to Z. English technical term small above the German one.

All technical terms of the course from A to Z. On each card, the English technical term is written small at the top, followed underneath by the German term and its explanation.

A

A/B TEST

A/B comparison

Testing of two variants that differ in only one feature, in order to examine its effect.

ADAPTATION

Adaptation

Adapting a key visual to a different format or channel without losing the core concept.

SERIF TYPEFACE

Serif

Font with serifs, i.e. small finishing strokes; often looks classic and reputable.

B

ACCESSIBILITY

Accessibility

Design that can also be used and understood by people with visual impairments or other disabilities.

CROP

Image detail

The chosen part of a subject; determines what is shown and what is left out.

VISUAL STYLE

Picture Style

Consistent visual language in communication, such as photography, illustration or collage.

VISUAL FLOW

visual guidance

Planning the order in which the eye takes in the elements of a layout.

C

CLAIM

Slogan

A short, recurring phrase that sums up the core idea of a campaign or brand.

CODE

Code

A shared system of rules that determines how symbols are understood, such as language or colour codes.

Thu

DENOTATION

Denotation

The factual, literal meaning of a sign: that which can be seen.

E

SHOT SIZE

Shot size

Framing size, from wide shot to medium close-up, right through to extreme close-up.

F

FIVE-SECOND TEST

Five-second test

A design is shown for five seconds; afterwards, participants are asked what they remember.

G

SANS-SERIF

Grotesque

Sans-serif font; usually has a functional, modern and clear feel.

H

VISUAL HIERARCHY

Hierarchy

Gradation of elements by importance, such as through size, weight or position.

I

ICON

Icon

A sign that resembles what it represents, such as a pictogram or a drawing.

INDEX

Index

A sign that points to something through a real connection, such as smoke indicating fire.

ITERATION

Iteration

Repeated cycle of designing, testing, evaluating and refining.

K

CAMPAIGN

Campaign

Planned sequence of communication activities across multiple channels with a shared central theme.

CHANNEL

Channel

A medium through which a message reaches the audience, such as a poster, feed, or flyer.

KEY MESSAGE

Key message

The most important message of a communication, formulated in a single sentence.

Key Visual

Key Visual

Key visual of a campaign that brings the core idea to life and features consistently across all channels.

COMMUNICATION OBJECTIVE

Communication objective

What the audience should know, feel, or do after encountering the message.

COMPLEMENTARY CONTRAST

Complementary contrast

Contrast between complementary colours on the colour wheel, such as blue and orange; creates an exciting, dynamic effect.

CONNOTATION

Connotation

Resonant meaning of a sign, such as feelings, values and associations.

CONTRAST RATIO

Contrast ratio

Ratio of the relative luminance of two colours according to WCAG, from 1:1 to 21:1.

L

TRACKING

Letter-spacing

Uniform spacing between all characters in a text.

BIG IDEA

Guiding principle

The conceptual core of a campaign that connects all executions.

LEGIBILITY

Readability

How easily characters and text can be recognised and read, depending on font, size, contrast and distance.

M

MONOSPACED TYPEFACE

Monospace font

A typeface in which all characters have the same width; it has a technical, documentary feel.

MOOD BOARD

MONOSPACED TYPEFACE

Mood board

A collection of images, colours, and fonts that reflects the intended mood of a design.

P

CAMERA ANGLE

Perspective

Perspective on a subject, such as a worm's-eye, eye-level, or bird's-eye view.

AUDIENCE

Audience

The people a message is meant to reach, along with their knowledge and needs.

R

GRID

Grid

A system of columns, rows, and margins that arranges elements across a surface.

SATURATION

GRID

Saturation

Purity of a colour: saturated colours feel loud and youthful, while desaturated ones feel calm and sophisticated.

S

SEMIOTICS

Semiotics

The study of signs and how meaning is created.

NOISE

Disruption

Anything that interferes with the transmission of a message, such as a distraction or poor legibility.

STORYTELLING

Storytelling

Tell messages as a story, with a beginning, tension, and resolution.

Symbol

Symbol

A symbol or sign whose meaning is based on convention, such as letters or flags.

T

TONE OF VOICE

Tonality

The way a message sounds, for example factual, warm, or cheeky.

V

ANCHORAGE

Anchorage

Text fixes the meaning of an ambiguous image (a concept by Roland Barthes).

W

WHITE SPACE

White space

Blank area in the layout, regardless of its colour; organises and creates calm.

Z

SIGN

Character

Something perceptible that stands for something else.