Materials Science

Materials Science

04 / Printing process

04 / PRINTING PROCESSES

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Key question

Which printing method suits the print run, colour and material?

Every printing technique has its strengths: offset is precise and cost-effective for large print runs, digital printing is flexible for small quantities, and screen printing provides opaque coverage on almost any material. The choice depends on the print run, the number of colours, the material, and the desired finish.

Learning objective: You can distinguish between the main printing processes and propose a suitable process for a printed product, providing reasoning.

The procedure follows the order.

4.1 / The Most Important Procedures

Four methods characterise standard practice.

These are the four methods you will encounter most frequently in practice:

01

Offset printing

Indirect planographic printing via a rubber blanket; sharp, colour-accurate, and cost-effective for medium to large print runs.

02

Digital printing

Plateless printing using toner or ink; ideal for short runs and personalisation.

03

Screen printing

Ink is pressed through a fine mesh; opaque on paper, fabric, glass, or wood.

04

Flexographic printing

Relief printing using flexible plates; standard for packaging, bags and labels.

Offset printing requires printing plates and set-up time; these fixed costs are only absorbed over larger print runs. Digital printing has virtually no fixed costs, but higher costs per unit. Screen printing and flexo are suitable for materials that are challenging for offset.

Fixed costs or unit costs: the print run is the deciding factor.

4.2 / Select by print run

Weigh up quantity, colours, and material.

As a rule of thumb, digital printing is worthwhile for up to a few hundred copies, and offset printing from around 500 to 1,000. This threshold varies depending on the format, page count and press. If you are unsure, request quotes for both methods.

Colours and materials also play a role: spot colours are straightforward in offset and screen printing, but are often only approximated in digital printing. Thick, textured, or dark materials frequently require screen printing or letterpress.

01

Edition

Small quantities digitally, large ones via offset; in between, compare quotes.

02

Colours

Spot colours and white help determine which process is suitable.

03

Material

Not every process prints cleanly on every material.

Print run, colour, material: always consider them together.

4.3 / Character in print

Some processes are themselves design.

In letterpress printing, ink is pressed onto paper from raised surfaces. When applied to thick cotton card, it creates a tactile impression. The process is ideal for small print runs with a limited number of spot colours.

Risograph printing is a stencil-based process using vegetable oil-based inks, applied colour by colour onto uncoated paper. Slight misregistrations and grainy textures are part of its charm. It is cost-effective for small print runs and popular for zines and posters.

The trace of the process may be seen.

Try it out
Printing Method Finder

Choose the print run, colours, material, and effect. The tool recommends a printing process and suggests alternatives.

1 / Print run

2 / Colours

3 / Material

4 / Effect

5 / Recommendation for 250 copies

Best suited

Letterpress

A raised printing form presses ink into the paper. On thick board a tactile impression appears.

Alternative

Screen printing

Thick, opaque ink layer on almost any material. Ideal for white, fluorescent and metallic inks.

Suitability

Alternative

Digital printing

No plates, fast and personalisable. Usually the cheapest for small runs.

Suitability

Hardly suitable: Offset printing, Risography, Flexo printing.

The recommendation rests on rules of thumb. Limits shift with printer, format and extent; quotes show the real costs.

Exercise

Identify procedure

Task: Identify the printing process of five printed items and give reasons for your assessment.

STEP 1

Examine every printed piece with a magnifying glass or a linen tester.

STEP 2

Pay attention to the grid, edges, ink layer and indentations in the paper.

STEP 3

Assign a procedure to each printed matter.

STEP 4

Suggest a procedure for the 'Kornfeld' bread bags and justify your choice.

Evaluation: Which features were clear, and where were you unsure?

© 2026 Corinna Kost, Basel